MORTE DI UN AMICO ("Death of a Friend") of Franco Rossi, from a screenplay by Pier Paolo Pasolini and others, reveals the strong hand Pasolini in its depiction of life at the geographical, social, economic, and moral edge of Rome. The two heroes (played by Gianni Garko and Spiros Focas) are pimps, like the protagonist of Pasolini's own ACCATTONE. The relationship between Aldo and Bruno and the bourgeois society which rejects them is a complex one. The pimps are both callous and caring; their prostitutes are by turn vindictive and generous.
In Frankfurt, the G.I. Tulsa McLean (Elvis Presley) bets all the money his friends Cookie (Robert Ivers) and Rick (James Douglas) and he are saving to buy a night-club of their own in USA that his mate Dynamite will seduce and spend a night with the untouchable cabaret dancer Lili (Juliet Prowse).
The great actress and Ozu regular Setsuko Hara plays a mother gently trying to persuade her daughter to marry in this glowing portrait of family love and conflict—a reworking of Ozu’s 1949 masterpiece Late Spring.
Loosely based on a true series of World War II events. This movie chronicles the breakout of the German battleship Bismarck accompanied by the heavy cruiser Prinz Eugen during the early days of World War II.
A young executive hunts down his father’s killer. Continuing his legendary collaboration with actor Toshiro Mifune, Kurosawa combines elements of Hamlet and American film noir to chilling effect in exposing the corrupt boardrooms of postwar corporate Japan.
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
Based on the successful 1956 Broadway production of the same name by Betty Comden, Adolph Green, and Jule Styne, the film focuses on Ella Peterson, who works in the basement office of Susanswerphone, a telephone answering service.