A rebellious heiress clashes with gangsters, dodges an arranged marriage, and unexpectedly falls for a principled lawyer as her father confronts past corruption and starts anew.
Two plays by William Saroyan portraying writers stymied, inspired, frustrated, excited, listful, wistful, slothful, awed, unnerved, perhaps corrupted and perplexed by the promise and let-down writing holds for them.
Little Jerguš's father was killed by gendarmes. To help his mother, the boy is hired as a laborer, then goes to the factory, to the city, but, unable to withstand the cruel exploitation, hoping to become free and independent, returns to the mountains, where his father once fought for the good of the people.
Though a piece of meat figures in this film the real subject is, before you judge something not just a steak, think twice, as for instance the way two people in a situation present themselves to each other.
Lola is a dancer in a nightclub. Many people who are looking for fun admire her, and she resists their requests to marry her or become their mistress, especially the young man who is always insisting on her.
Newly graduated defense attorney David Kyle (Vincent Ball) is stymied by his first case: to represent youthful criminal Jimmy Fuller (Brian Smith), who refuses to explain his involvement in the murder of the revered Diana White (Angela Douglas), a probation officer seemingly devoted to her work.
A kindhearted wandering gambler named Hajiro gets involved in a crisis of a village as he passes through and decides to lend a sword in hopes to rescue them.
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