Little Ones Describe the Big World is not so much relevant as a sample of the directorial work of filmmaker Gabriel Barta as much as it is as an example of the early writing of one of Romania’s most peculiar and prolific writers, Radu Cosașu, who, at the time, worked closely with the Sahia studio after going through a difficult patch with the political establishment. The film is structured through the father-daughter dialogue written by Cosașu to lend colour and a narrative to the aforementioned exhibition. The style of his writing combines the wit, irony, and casual tone that have become his trademark: here, however, these qualities are put to work for the benefit of the socialist state’s political agenda.
Little Jerguš's father was killed by gendarmes. To help his mother, the boy is hired as a laborer, then goes to the factory, to the city, but, unable to withstand the cruel exploitation, hoping to become free and independent, returns to the mountains, where his father once fought for the good of the people.
An honest man instills in his only child the adage, 'Honesty is the best policy.' When the boy grows up, he has to fight for the truth and it remains to be seen if he can keep his ideologies alive.
Two plays by William Saroyan portraying writers stymied, inspired, frustrated, excited, listful, wistful, slothful, awed, unnerved, perhaps corrupted and perplexed by the promise and let-down writing holds for them.
Bhaskar (Akkineni Nageswara Rao) and Vasanti (B. Saroja Devi) are college mates who clash when she complains to the college principal about a love letter he sent her.
Milja, living in Kristiania in the late 1800s, becomes pregnant, but the father of the child, Julius, is not around after the child has been born and Milja decides to adopt it.
In this fifth episode of the "Wataridori" series, Taki Shinji (Kobayashi Akira) drifts north to Hokkaido, where he helps protect an Ainu village from unscrupulous land developers.
The film tells the story of two twins separated in childhood who reunite when they are older. One of them has grown between outlaws and has become one of them, a murderous bandit who frightens the region.
Though a piece of meat figures in this film the real subject is, before you judge something not just a steak, think twice, as for instance the way two people in a situation present themselves to each other.
A kindhearted wandering gambler named Hajiro gets involved in a crisis of a village as he passes through and decides to lend a sword in hopes to rescue them.
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