The Demon (1960) is a Soviet opera-film based on the eponymous opera by Anton Rubinstein. The plot derives from Lermontov's Demon, a poem which was banned for decades due to its sacrilegious content. The titular demon is a fallen angel, a figure of negation and a brooding anti-hero. He falls in love with Tamara but his love destroys her. The Demon is played by the brilliant Estonian singer Georg Ots.
Little Jerguš's father was killed by gendarmes. To help his mother, the boy is hired as a laborer, then goes to the factory, to the city, but, unable to withstand the cruel exploitation, hoping to become free and independent, returns to the mountains, where his father once fought for the good of the people.
Two plays by William Saroyan portraying writers stymied, inspired, frustrated, excited, listful, wistful, slothful, awed, unnerved, perhaps corrupted and perplexed by the promise and let-down writing holds for them.
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
Charlie Gedelius has spent the last years abroad as a golf trainer. In Copenhagen, Denmark, he meets young Lena, who happens to be his brother-in-law's mistress.
Milja, living in Kristiania in the late 1800s, becomes pregnant, but the father of the child, Julius, is not around after the child has been born and Milja decides to adopt it.
In the northern part of the Atlantic Ocean on the island of Troldø lives a single farming family. The grandmother Gunhild is the only woman on the island and her son Enok is unable to find a wife.
Nando is dissatisfied with his repetitive and mortifying work. He manages to escape from daily mediocrity only at night, when he enters his fantasy world.
