A film made for the 25th anniversary of the Fram Museum. The museum is home to the ship Fram, which was used by Roald Amundsen, Fridtjof Nansen, and Otto Sverdrup on their legendary polar expeditions. // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe.
After 52 years of armed conflict the FARC guerrillas are about to hand over their arms in exchange for political participation and social inclusion of the poor.
For the family members of murder victims mourning is often postponed indefinitely. To unlock the trauma and begin the grieving, a method called restorative dialogue brings two parents - and the audience - eye to eye with the murderers.
A documentary which follows director Wim Wenders and Sean Naughton, the high-definition-video designer on UNTIL THE END OF THE WORLD, in Tokyo, and details the creation of the film’s groundbreaking high-definition sequences.
Sirkka-Liisa died alone with no one left to miss her. Elina happened to buy her home after her death and ended up with all Sirkka-Liisa's possessions from books to photos.
Although first glance reveals little more than stones and sand, the desert is alive. Witness moving rocks, spitting mud pots, gorgeous flowers and the never-ending battle for survival between desert creatures of every shape, size and description.
Filmed at the Alhambra in Spain in just one day, according to Marie Menken. Arabesque for Kenneth Anger concentrates on visual details found in Moorish architecture and in ancient Spanish tile.
It's a crisp autumn morning. Marta prepares breakfast and goes to work. Little Jenda has a sore throat, so she has to go to her grandfather's to look after the boy.
