Les inconnus de la terre starts like a traditional feature film: in the beginning of the film all the leading roles are given a short introduction. This is followed by a number of interviews, in which the makers unashamedly appear themselves. They include an interview with a lonely shepherd and one with three unmarried brothers who try to run the parental farm for better or worse. Notwithstanding the fact that this mode of interviewing has now become classical, les inconnus de la terre works rather refreshingly. The film is more than just an enumeration of problems. In an honest way it shows the ties of those involved to the land and to nature, in addition to being a plea for the modernization of French agriculture.
Seok-tae runs away with a huge diamond of his gang and comes to Sisily, a peaceful village. Yang-e runs after him to get the diamond back and finds Seok-tae's trail in Sisily.
For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness.
Paul Bedel will be 75 soon. He's and old bachelor, a peasant, a fisherman and a verger. He lives in a farm from another time with his two sisters, also unmarried.
Amidst putting together a benefit concert for the local farmers and on the brink of a huge deal with mogul Lucky Claybert, Gumby and his band The Clayboys must battle with the villainous Blockheads, who have kidnapped their loyal canine Lowbelly.
Cows With No Name is almost a diary, filmed one day at a time, of each stage of this process, documenting the operation of the farm with critical and incisive humour.
Munich cab driver Herbert Sponer picks up American businessman Jack Mortimer at the train station. Suddenly Mortimer is shot while driving and Sponer has to try to avoid being suspected as the perpetrator.
