Brothel-owner Chikita Hausmann is forced to flee a South American revolution and sets up a new “house of pleasure” in a sleepy Swiss town, where the local bigwigs queue up so enthusiastically that she placates scandalized wives by dubbing it the “Circle for Expanding Cultural Relations” and wins the naive estate-manager Philip Sprüngli’s heart. When a nearby jazz club run by local youths threatens to expose her clientele, Chikita cleverly sells her establishment to the municipality—transforming it into a youth center—then whisks Sprüngli off on another adventure to a revolution-torn South America.
In his film attempt, Berlin cabaret artist Wolfgang Neuss strings together various sketches to create a story that deals with the division of Germany based on motifs from the Münchhausen legend.
A group of boys playing near the seashore in Tokyo find a goat, kill it in a tug of war for ownership, bury it with ceremony, and, except for one boy, run off in heedless laughter ready for more games.
When a worker digging up a rose bed in the garden of a rich, influential factory owner uncovers a skeleton, suspicion spreads: Is the man who is so respected in the town possibly a murderer?
Albert, a cheeky, womanising, door-to door salesman, with a never-take-no-for-an-answer attitude, lives his life for the moment, and with no thought of his future, or the consequences of his actions on the people he encounters.
Agent 007 battles mysterious Dr. No, a scientific genius bent on destroying the U.S. space program. As the countdown to disaster begins, Bond must go to Jamaica, where he encounters beautiful Honey Ryder, to confront a megalomaniacal villain in his massive island headquarters.
