Yomiuri Independent was an annual show between 1949-1963 that exhibited all art that was submitted. Artists in the early 60s began to take advantage of the challenge by provoking the organisers with their submissions that cast a question on the framework of art within the gallery space. The objet d'art and performances we see in Dada 62 are fragments of what was shown in its 1962 version with pieces by Genpei Akasegawa, Jiro Takamatsu and Shinmei Kojima making an appearance. (Julian Ross)
Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual.
When a worker digging up a rose bed in the garden of a rich, influential factory owner uncovers a skeleton, suspicion spreads: Is the man who is so respected in the town possibly a murderer?
A young boy discovers the existence of a group called the Mooncussers - a gang of pirates that work at night and sends out false homing signals to ships at sea.
A group of boys playing near the seashore in Tokyo find a goat, kill it in a tug of war for ownership, bury it with ceremony, and, except for one boy, run off in heedless laughter ready for more games.
Comments
Have you watched Dada 62 yet? What did you think about it?
