AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)
Constantly orbiting at 400 km (250 mi) above the earth, the ISS is perfectly situated to witness the beautiful streamers of green and red light emanating from the collision of highly charged solar wind particles with oxygen and nitrogen atoms in the earth's atmosphere.
Strange "lifepods" have crashed in the western mountains, bringing with them supernatural beings previously found only in the realm of folk-lore and fantasy.
Some have described love as a spell. Others have described it as a sickness. What they have in common is the idea that love, in its many forms, has the power to overwhelm the senses and control behavior.
Facial Weaponization Suite protests against biometric facial recognition–and the inequalities these technologies propagate–by making “collective masks” in workshops that are modeled from the aggregated facial data of participants, resulting in amorphous masks that cannot be detected as human faces by biometric facial recognition technologies.
Popular movie trailers from 1962
These some of the most viewed trailers for movies released in 1962:
Five short stories.
(1) “Czas przybliża, czas oddala” – Edward recalls his unfulfilled love for Anna and, years later, writes to her sister Zofia, mistaking her for Anna.
Respectable schoolmaster returns from work on the eve of a wedding anniversary holiday to find a strange man dead in their bathroom and his wife missing.
Despite the disagreement of their mother, the sons of old Taras Bulba are taken to the Dnieper camp on their return from a Kiev seminary, to teach them how to become real Cossacks.
A group of boys playing near the seashore in Tokyo find a goat, kill it in a tug of war for ownership, bury it with ceremony, and, except for one boy, run off in heedless laughter ready for more games.
