First film by Pim de la Parra, about a young Surinamese man in Amsterdam who delivers a “monologue interior” about his dissatisfaction with society and his position as an outsider.
In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States.
21st century legal prostitution through the frank stories of Amsterdam red-light district sex workers at a time when tighter regulation threatens their livelihood.
During the Cultural Revolution in China in the late 20th century, ethnic Manchu people were persecuted and forced to give up such cultural traditions as the shaman dance (tiao tchin, meaning "spirit-jumping" or "god's dance").
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
A candid, inside look at one of the greatest ballplayers ever, up through the 1963 season. Many highlights from Willie Mays's career are shown, including his 4-homer night against the Braves, his 400th homer against the Cardinals, and his 2000th hit.