The film depicts one working day in the lives of travelling workers in different parts of Croatia: Baranja, Slavonia, Zagorje, Kvarner and Banovina. Through interviews and by employing the so-called friendly-camera method, the director portrays these exhausted, sleepy people and their dreary daily grind. Their lives are particularly well reflected in the early morning scenes of salesmen asleep in the most peculiar places and in the most curious ways: leaning against a fence or a wall, sitting on the railway tracks.
An in-depth look at Dirty Harry (1971), featuring interviews with such film artists as Michael Madsen, 'Hal Holbrook', John Milius, 'Shane Black' and John Badham.
Gardeners, veterinarians and breeders. And some imposing mammals capable of running at seventy kilometers per hour: the baths in the sun, the runway before the confrontation.
An accurate depiction of the basic tenets of northern Mahayana Buddhism, cast into living or "experiential" form, consistent with powerful mantras heard on the soundtrack of the film.
The history of Chinese migration to Mexico, from its birth at the start of the twentieth century, through the Mexican revolution, the anti-Chinese movement, and up to the current state of Chinese migrants in the country.
As her 80th birthday is approaching, Vera Klement, an oil painter in Chicago, adamantly starts yet another new figure painting: a portrait of an artist under oppression, an homage to Russian composer, Dmitri Shostakovitch.
A portrait film of Eastern Ontario directed by Peter Pearson who’s films include the award winner’s like “The Best Damn Fiddler from Calabogie to Kaladar" (1968) and the classic Canadian feature film, "Paperback Hero" (1973).
Paavo and Eeva, two young people who have moved from the countryside to the city, meet a gang led by Kalle, who spend their time loitering and committing petty crimes.
This was a sponsored documentary film by director Kazuo Kuroki of Japan. This highly artistic film focused entirely on Japanese marathon runner Kenji Kimihara.
