17 October 1964 Action 87 mins
A fugitive christian "saint" (female, of course!) and a sadistic drug-addled princess both have their eye on Kyoshiro. The fact that a bunch of ruthless smugglers also want him dead is the least of his problems!
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Kazuo Ikehiro Director
Shigeru Katō Art Direction
Ichirō Saitō Original Music Composer
Chikashi Makiura Director of Photography
Kanji Suganuma Editor
Renzaburō Shibata Original Story
Seiji Hoshikawa Screenplay
Nemuri Kyoshiro 4: Joyoken Trailer
眠狂四郎 女妖剣 Trailer
Nemuri Kyôshirô: Joyôken Trailer
The Woman Who Loved Kyoshiro Trailer
Japan 17 October 1964
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These some of the most viewed trailers for movies released in 1964:
17 May 1964
Horror film directed by Satoru Kobayashi. Kin'ya Ogawa served as Kobayashi's assistant on this film.
24 September 1964
In February of 1941, South African troops are in action against the Italian forces on the northern frontier of Kenya.
02 December 1964
Historical panorama of the history of Silesia, from the period of the uprisings to the present day, shown through the fate of five miners.
09 November 1964
This is the only cartoon to feature Squeegee.
03 July 1964
An outdated fireclay factory is due to close, but its long-time employees can't imagine stopping what has fed them all their lives and what they do best.
16 October 1964
New York, USA, February 1964. Five grueling days in the life of George, John, Paul and Ringo, the Fab Four, The Beatles: the hysterical fan reception at JFK airport; several press conferences; in their rooms at the Plaza Hotel; in the backstage at the Ed Sullivan Show; hanging out with the legendary DJ Murray the K; and the frantic return home.
01 January 1964
A young woman gets in trouble for wanting to deny her ethnic ancestry.
04 January 1964
Songs about eternal love, American vagabonds, cowboys and desperadoes, with the romance of railways and trains speeding into the distance are recorded as film songs, and so, for example, in the well-known standard Franck and Johnny you will see M.
17 December 1964
Backstage comedy; singer-dancer and her songwriter husband pretend to have an open relationship, because it makes them look smart and modern.
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Artwork, screen shots, trailers and other imagery is © 1964 Daiei Film.
