Three episodes: In the first one a girl gets a journalist to help her recover a case with some precious designs in it; in the second a worker keen on helping his boss gets him into trouble instead and in the third one a shy boy who tries to impress women pretending he is tough ends up in hospital and falls in love with a nurse.
Dealing with a sociopathic school bully, three high school freshmen hire a low-budget bodyguard to protect them, not realizing he is just a homeless beggar and petty thief looking for some easy cash.
Two young insurance corporation employees try to pretend that their murdered employer is alive by puppeteering his dead body, leading a hitman to attempt to track him down to finish him off.
Irresponsible party girl Maggie is kicked out of her father's and stepmother's home—where she lives for free—and is taken in by her hard-working sister, Philadelphia lawyer Rose.
19-year-old Jimmy is just scraping by in the red-light district of Sydney. When local crime lord Pando offers him a shot at working for his syndicate, Jimmy jumps at the chance to deliver a costly package.
Further adventures of Bobby, Benji, and Huey in their pursuit of sex in the 50's. While preparing for their final exams, they try to work out if it's better to be going steady with one girl, and if changing girlfriends all the time leads to too many complications.
It's the greasy 50's, and girls are still causing problems for the Lemon Popsicle boys! Benji falls head over heels in love with new girl Tammy but manages to ruin the relationship by pushing her to go all the way.
Songs about eternal love, American vagabonds, cowboys and desperadoes, with the romance of railways and trains speeding into the distance are recorded as film songs, and so, for example, in the well-known standard Franck and Johnny you will see M.
Documentary about the history of Jornal do Brasil, founded on April 14, 1891. In 1965, the Jornal do Brasil marked its innovative and active position, as recorded in the documentary "A Seventv-Four- Year-Old Fellow" by the filmmaker Nelson Pereira dos Santos, and the story itself was in charge of confirming.
