This documentary is one of the earliest film enquiries on women's condition in Italy, seen in its different aspects: social, economic, psychological. Starting from an analysis of the feminine role models proposed by the cultural industry, the film finds its protagonists among all kinds of women.
"...a charming depiction of life as I knew it with my grandparents in my own village..." Clara Caleo Green, Cinema Italia UK "The sum of the individual fates and life choices paints a picture, the validity of which extends far beyond this village.
A powerful depiction of war in infamous global conflict zones. Directed by Oscar/Emmy documentary makers Buddy Squires and Graeme Scott (know for Sam Smith), this film provides a rare and powerful insight into humanity and hope in the depth of war and the greatest global humanitarian crisis of the last several decades.
It's a condition known as "hypertrichosis" or "Ambras Syndrome," but in the 1500s it would transform one man into a national sensation and iconic fairy-tale character.
The interviews show these extraordinary women sharing their diverse journeys, personal stories, and perspectives, and the effect is both inspiring and empowering.
Drawing inspiration from his personal encounter with the Italian refugee child Giovanna during World War II, Markus Imhoof tells how refugees and migrants are treated today: on the Mediterranean Sea, in Lebanon, in Italy, in Germany and in Switzerland.
After the World War I, Mussolini's perspective on life is severely altered; once a willful socialist reformer, now obsessed with the idea of power, he founds the National Fascist Party in 1921 and assumes political power in 1922, becoming the Duce, dictator of Italy.
In the heart of Sicily, where the Mafia still rules, one man and his family-run TV station, has become the lone voice against corruption and organized crime.
What are we talking about when we talk about negotiations? About the state's concessions to the Mafia in exchange for ending the massacres? About who assassinated Falcone and Borsellino? Of the eternal coexistence between the Mafia and politics? Between the mafia and the church? Between the Mafia and law enforcement? Or is there more? A group of actors enacts the most relevant episodes of the affair known as the Mafia-state negotiation, impersonating mobsters, secret service agents, high officials, magistrates, victims and murderers, Freemasons, honest and courageous people, and courageous people up to a point.
Popular movie trailers from 1965
These some of the most viewed trailers for movies released in 1965:
In this crime-thriller, Rome proves to be an unhappy destination for an American couple when the husband is kidnapped and his wife begins a desperate search for him.
In this off-beat musical – a satire that combines fantasy, social observation and songs – a working class man goes to put a deposit on a new house only to find he prefers spending to saving and is happy to spend his money on a few hours of happiness rather than a lifetime's conventionality.
A scientist discovers a way to bring the dead back to life using nuclear power but it makes him the target of secret agents who will stop at nothing to get his formula for themselves.
The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second.
CBS bit on Piero Heliczer shooting his film 'Venus in Furs' (they mistakenly call it 'Dirt'). Released by Boo-Hooray as part of their exhibit on Heliczer and The Dead Language Press.
During the 1800s, Peru's government sends 2 envoys to negotiate peace with the rebellious Incas but a treasure-hunter bandit shoots the Inca ruler and his son, leaving the 2 envoys to take the blame for it.
Germany in May 1945: the war is over, men are returning home and a new life begins in the villages. After 12 years in a concentration camp, the "Red Shoemaker" also returns to his home village.
Comments
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