Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.
How do artists view their own work? How does actor Esko Salminen immerse himself in his roles, how does the writer/director Saara Turunen create a whole new world for the stage, and why does musician PK Keränen pick up his guitar time and time again? Is creativity a conscious or subconscious process, a pleasure or a compulsion? Veikko Aaltonen’s documentary takes us straight into the heart of creativity with artists from different fields and generations.
Since 1987, and for almost three decades, New York cinephiles had access to a vast treasure trove of rare films thanks to Kim's Video, a small empire run by Yongman Kim, an enigmatic character who amassed more than fifty thousand VHS tapes.
By drawing a parallel between the Indian Durga Puja festival and other forms of celebrating the divine feminine, Santa Shakti reveals the Sacred Power beyond languages and religions.
High school students experience the everyday worries of their age - they prepare for their high school graduation, go on a production internship at an engineering plant, and compete for a ski trip to the Krkonoše Mountains.
A scientist discovers a way to bring the dead back to life using nuclear power but it makes him the target of secret agents who will stop at nothing to get his formula for themselves.
The BBC's 1965 adaptation of E.M. Forster's novel, screened as part of their Play of the Month strand, adapted by Santha Ramu Rau and John Maynard, and directed by Waris Hussein.
Post-adolescent romance; the dude and the chick both tried to impress each other by pretending to come from rich families, and eventually they'll both have to fess up.
Laura Eden is one of the world's most beautiful pinup photographers. She is given the difficult assignment to bring together and photograph all of the most beautiful nude models in New York City.
The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second.