01 January 1965 Drama 107 mins
José Luis returns to his hometown after a long absence. Upon his arrival, he meets Ana, an aristocratic woman who introduces him to a world completely unfamiliar to him. The film explores themes of rediscovery, social contrast, and personal transformation as José Luis navigates this new environment.
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José Luis Madrid Director
José Luis Madrid Writer
Federico Martínez Tudó Music
Aurelio G. Larraya Director of Photography
Juan Prous Assistant Camera
Spain 01 January 1965
These some of the most viewed trailers for movies released in 1965:
23 July 1965
Jacob's home movie portrait of Alfred Leslie and his family intercut with fragments of a Mickey Mouse cartoon.
26 January 1965
A military base. An awkward soldier. A statue of Bach. And suddenly all guns in the area change into music instruments.
01 January 1965
"A comic promotional mock documentary about a boy and his uncle who visit the Silverstone Racetrack during filming of the James Bond movie Thunderball (1965).
05 April 1965
The struggle for civil rights has been one of the most important issues of American life for the last fifty years.
29 March 1965
In the years before World War II, a tomboyish postulant at an Austrian abbey is hired as a governess in the home of a widowed naval captain with seven children and brings a new love of life and music into the home.
08 September 1965
The sky lights up and the desert comes alive on this desperate search for hidden millions.
10 February 1965
Gerry and Fred Marsden, Les McGuire, and Les "Chad" Chadwick portray themselves in a romp through the early-1960s Liverpool Beat Scene.
04 March 1965
After her child dies in an accident, a woman's marriage collapses and she goes into a convent.
20 March 1965
Kidnapped and rescued by a Ninja, Fujimaru has mastered martial arts over the years. Now he sets off on a journey to find his mother and also locate an old tome containing secret martial arts techniques.
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Artwork, screen shots, trailers and other imagery is © 1965 Coop. Cinematográfica Constelación.
