Singer Laura Monteiro (Montiel) is murdered by her old protector João Fernandes de Oliveira (Giachetti), who has found out her love affair with Assis (Carlos Alberto). Favela-girl Belén (also Montiel) is the look-alike who takes her place, unaware she is being used by a gang that smuggles precious stones sewn in Carnival costumes. Written by fabreu
More movie trailers, teasers, and clips from Samba:
O Samba - Trailer
O SAMBA mostra que o samba não é apenas uma dança com movimentos sensuais mas que também é palavra linguagem e estilo de vida. O cantor Martinho ...
SAMBA (1965)
Fragmento de la Película Española "SAMBA" Realización: Rafael Gil (1965) Título original Samba Año 1965 Duración 106 min. País España España Director ...
SAMBA (1965)
Fragmento de la Película Española "SAMBA" Realización: Rafael Gil (1965) Título original Samba Año 1965 Duración 106 min. País España Director Rafael Gil ...
Sara Montiel. "Samba!". 1965. Abertura e créditos.
Sara canta "Caminhemos" de Herivelto Martins em espanhol.
SAMBA 1965
Título no Brasil Samba Título Original Samba Ano Lançamento 1965 Gênero Drama / Musical País de Origem Espanha / Brasil Duração 106 minutos Direção ...
Sara Montiel canta "Na Baixa do Sapateiro" de Ary Barroso. "Samba!" 1965.
Samba full hd movie trailer.
Popular movie trailers from 1965
These some of the most viewed trailers for movies released in 1965:
In the years before World War II, a tomboyish postulant at an Austrian abbey is hired as a governess in the home of a widowed naval captain with seven children and brings a new love of life and music into the home.
CBS bit on Piero Heliczer shooting his film 'Venus in Furs' (they mistakenly call it 'Dirt'). Released by Boo-Hooray as part of their exhibit on Heliczer and The Dead Language Press.
Germany in May 1945: the war is over, men are returning home and a new life begins in the villages. After 12 years in a concentration camp, the "Red Shoemaker" also returns to his home village.
A scientist discovers a way to bring the dead back to life using nuclear power but it makes him the target of secret agents who will stop at nothing to get his formula for themselves.
In this off-beat musical – a satire that combines fantasy, social observation and songs – a working class man goes to put a deposit on a new house only to find he prefers spending to saving and is happy to spend his money on a few hours of happiness rather than a lifetime's conventionality.
A story about two gunfighters, Duke and Steve. Steve is in love with Duke's daughter but Duke disapproves of the match, envisioning a life of hardship and danger for the girl if she marries Steve.
The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second.