An old beekeeper and a little boy look into a hive. A brown-yellow shape and a black ball of a motile swarm begin to move on the surface of the screen. Physical reality turns into abstract forms.
An accurate depiction of the basic tenets of northern Mahayana Buddhism, cast into living or "experiential" form, consistent with powerful mantras heard on the soundtrack of the film.
Party girl Annie and Gordon, a homeless man, travel through a remote subway tunnel to a different time; to a world where two children are held captive and tormented by bizarre figures.
About the loss of a mother, with her unexpected exuberance, but who also cries Puccini melodies. A short poetic collage, as fleeting as the blink of an eye, where sounds and images are superimposed to evoke the at once peaceful and tormented memory of a mother.
Germany in May 1945: the war is over, men are returning home and a new life begins in the villages. After 12 years in a concentration camp, the "Red Shoemaker" also returns to his home village.
The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second.
"A comic promotional mock documentary about a boy and his uncle who visit the Silverstone Racetrack during filming of the James Bond movie Thunderball (1965).