The Bride Who Has Returned From Hell (or Bride in Hell) is an adaption of The Mistress from Melynn, a 1960 novel by Victoria Holt. The story begins when a yacht is lost at sea. Then a telephone call between male protagonist Wang Yiming (Ke Junxiong) and his cousin Gao Fengjiao (Liu Qing) reveals that Wang’s wife has perished while eloping with a neighbor. After female protagonist Bai Ruimei (Jin Mei) learns that her older sister Ruiyun – Wang’s wife – has died, Ruimei changes her identity and applies for a job as a tutor to Wang’s daughter Shuyuan in a bid to solve the mysteries surrounding her sister’s death.
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda.
Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.
Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world.
When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school.
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers.
The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second.
In this off-beat musical – a satire that combines fantasy, social observation and songs – a working class man goes to put a deposit on a new house only to find he prefers spending to saving and is happy to spend his money on a few hours of happiness rather than a lifetime's conventionality.
A story about two gunfighters, Duke and Steve. Steve is in love with Duke's daughter but Duke disapproves of the match, envisioning a life of hardship and danger for the girl if she marries Steve.
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