According to Bernard Cohn's review, the directors "show that the painter of British society at the beginning of the 18th century was not only ahead of his time in his aesthetic theories, but that he carried within him the signs that allow us to recognize a creator." (Positif, no. 70, June 1965, p. 73.)
A soldier and member of the Dutch resistance investigates stolen art in the wake of the Second World War, including a Vermeer sold to the Nazis by a flamboyant forger.
Le déjeuner sur l’herbe is simultaneously perceived from four different camera positions in a work which engages with the pro-filmic in order to question documentation, illusion and the film viewing process.
Tim Jenison, a Texas based inventor, attempts to solve one of the greatest mysteries in all art: How did Dutch Master Johannes Vermeer manage to paint so photo-realistically 150 years before the invention of photography? Spanning a decade, Jenison's adventure takes him to Holland, on a pilgrimage to the North coast of Yorkshire to meet artista David Hockney, and eventually even to Buckingham Palace.
Two hapless drifters, Frank and Bruno, team up with Linde to recover her land and trek across 1870's Southern Arizona to find an elusive frontier musician.
Post-adolescent romance; the dude and the chick both tried to impress each other by pretending to come from rich families, and eventually they'll both have to fess up.
A story about two gunfighters, Duke and Steve. Steve is in love with Duke's daughter but Duke disapproves of the match, envisioning a life of hardship and danger for the girl if she marries Steve.
The BBC's 1965 adaptation of E.M. Forster's novel, screened as part of their Play of the Month strand, adapted by Santha Ramu Rau and John Maynard, and directed by Waris Hussein.