08 June 1966 Comedy, Romance 115 mins
A succession of modern songs, from Iê-iê-iê to Bossa Nova, mix with the record of the tastes and customs of the youth of the time.
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Milton Rodríguez as Paulo
Elizabeth Gasper as Mônica
Augusto César Vannucci as Maurício
Walter Forster as Guimarães
Humberto Catalano as Josué
Kleber Drable as Peixoto
Suzy Arruda as Augusta
Celi Ribeiro as Lolita
Pituca as Juca
Watson Macedo Producer
Watson Macedo Editor
Rodolfo F. Neder Director of Photography
Geraldo Affonso Miranda Editor
Watson Macedo Director
Watson Macedo Writer
Ziraldo Dialogue
Watson Macedo Story
Ziraldo Graphic Designer
Rio, verão e amor Trailer
Brazil 08 June 1966
These some of the most viewed trailers for movies released in 1966:
01 January 1966
Down a dusty road in the deep South, wanders a young man, Arlin Grove, with a guitar and his earthly belongings on his back, just released from the U.
![Screen Test [ST268]: Lou Reed (Apple) Trailer](/static/images/site/blank-backdrop.jpg)
01 January 1966
Lou Reed, posed in profile wearing dark glasses, slowly eats an apple, chewing carefully between bites; there is no camera movement.
08 June 1966
Four stories about the arts of not getting married. Alfredo Landa performs the roles of a lawyer who has just finished his military service, a young marquis on his wedding day, a flirt and a soldier who deals with three girls at the same time.
01 November 1966
'L'ultimo pugno di terra' (The Last Fistful of Land) is a 1966 documentary film directed by Fiorenzo Serra about the anguish and instability of the lower classes in a destitute Sardinia.
21 October 1966
Seduction has to be learned: One orders a harem to his hotel to prove that only she is the one. The other slips into boy's clothes to stand her ground.
15 December 1966
Where a nun and a nurse go to hell because of their sinful life in St. Vincent's Hospital.
01 January 1966
A close-up of Lou Reed’s mouth, as he takes nine drags on a cigarette, smiles a couple of times, licks his lips, and grimaces.
01 January 1966
Begins with a close-up of Lou Reed’s eye; the camera then zooms out to a slightly broader view of his face.
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Artwork, screen shots, trailers and other imagery is © 1966 Watson Macedo Produções Cinematográficas.
