The second part: Brakhage’s layering of images spends less time with images of war, and begins filtering in scenes of Vienna and his home in Colorado. He sets up a comparison between “Kubelka’s Vienna” and his own.
Culled from four rolls of Super-8 film shot while the maker was a development worker in a small South American village, Daumë is at its center a film about ritual, power, and play.
An ethnographic field report in which the Anthropologist describes the mythic creation of an unnamed ‘sun-scraping structure’ through the ritualized actions of the Red and the Blue Gods.
The Valley of Fire. Oficina Chacabuco. The Calumet Industrial Corridor. From the outskirts of Vegas to the desert ghost towns of Chile - a pinhole travelogue for the world’s end, for what was left behind.
the quarry is a silent document of five minutes in the presence of the sublime. This small, quiet 16mm film serves as a testament both to cinema’s failure to reproduce the lived moment and to its success in replacing that moment with one that is equally wondrous.
A former student of a recently deceased and forgotten '60s filmmaker provides commentary to the late director's film, offering a unique interpretation as only he could.
Where have you been? I have been waiting for you. Let us begin. The Tawny Frogmouth is not an owl. Here is its actual call: hrr hrrrm hrr hrrrm hrr hrrrm.
The Breathers-In is a 16mm experimental narrative film in which two Victorian Sisters float through a post-industrial landscape of Loss and Alienation.
Ulterran is a short visual experimentation that follows two women through a pagan ritual to connect to the versions of themselves that exist in another spiritual dimension.
Magnetic Scramble is the first video work by Toshio Matsumoto. Here, the artist manipulates television images (of student demonstrations against the U.
Popular movie trailers from 1967
These some of the most viewed trailers for movies released in 1967:
A wild, freewheeling spoof on motorcycle gangs in which tough-looking cyclists, who roam the highways on invisible bikes leaving visible tire tracks, pick up a girl hitchhiker encounter another gang.
In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion.
In order to put an end to the numerous ambushes on the gold transports which are a real menace to the finances of the American government, the agent Joe Ford, called Dynamite Joe due to his liking for explosives, is entrusted with controlling the next transfer.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.
Comments
Have you watched 23rd Psalm Branch: Part II yet? What did you think about it?