The events revolve around a man who takes his wife to the doctor, as he suspects that she has gone crazy, after which many funny situations take place between them to find out her condition and whether she has really lost her mind or not.
A don sends three criminals to recover a treasure buried by his grandfather in a village. A fourth criminal joins the trio en route, and they decide to hoodwink the don and share the treasure between themselves.
Matriarchal rivals of neighboring families, whose young adult children become romantically involved - try despite their best efforts - to keep them apart with hilarious results.
A young Israeli arrives in New York City but the person with whom he was meant to stay goes AWOL. The Israeli befriends a young, American singer and returns her wallet which she had stolen from her on the subway, they hang out and get to know each other in the course of 24 hours.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.
"Desire Caught by the Tail" - Described as surrealistic, absurd, and weird. The narrative is nonlinear and the meaning nearly impossible to decipher, the work has been praised despite, and sometimes for, its lack of message.
In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion.
The Hostage is a 1967 Crown International low-budget motion picture starring Don O'Kelly, James Almanzar and Joanne Brown, with Leland Brown, John Carradine, and Harry Dean Stanton.
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