In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.
In keeping with the intergenerational magic of 'Household Saints', filmmaker Martina Savoca-Guay has crafted a compelling new documentary, 'The Many Miracles of Household Saints', revealing the improbable story behind the making of the film.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.
Monkey King, Pig and Friar Sand must rescue his master Buddhist monk from seven witches / spiders who believe themselves to be immortal if they eat the monk's flesh.
A wild, freewheeling spoof on motorcycle gangs in which tough-looking cyclists, who roam the highways on invisible bikes leaving visible tire tracks, pick up a girl hitchhiker encounter another gang.
Property company chairman Hu Zian was attracted to his secretary Sun Yuxia's beauty and competence. One day after dinner when Hu was escorting Sun home, he received from a child on the street a box containing a mirror and two silver coins engraved with dragons.
In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion.
