Beginning in 1965 with Black Is, Tambellini launched a series of politically charged experimental films that explore the expressive possibilities of black as a dominant color and idea. For the most part Tambellini’s seven “black films” are made without the use of a camera but rather by carefully manipulating the film itself by scorching, scratching, painting and treating the film stock as a type of sculptural and painterly medium.
In his efforts to connect with his Chinese heritage, a biracial man discovers challenges and complexities he may not have expected in James Michael Chiang’s remarkably deft blending of drama and comedy.
A woman on a journey through a crowd grapples with private and public revelation, repulsion, fear, personal safety, and the desire for basic human interaction.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time.
When a vicious drug gang discovers they've been infiltrated by an undercover cop, they move in. This act of terror will be their undoing for they unleashed a terrible evil.
American Mark Jason is stranded in Southeast Asia and works there as a teacher. One day, he finds diamonds worth several million dollars in his apartment.
Five short stories loosely dealing with the roles of women in society. A superstar actress travels to a mountain resort, only to evoke jealousy from women and lust from men.
Comments
Have you watched Black '67 yet? What did you think about it?
