Beginning in 1965 with Black Is, Tambellini launched a series of politically charged experimental films that explore the expressive possibilities of black as a dominant color and idea. For the most part Tambellini’s seven “black films” are made without the use of a camera but rather by carefully manipulating the film itself by scorching, scratching, painting and treating the film stock as a type of sculptural and painterly medium.
In his efforts to connect with his Chinese heritage, a biracial man discovers challenges and complexities he may not have expected in James Michael Chiang’s remarkably deft blending of drama and comedy.
A woman on a journey through a crowd grapples with private and public revelation, repulsion, fear, personal safety, and the desire for basic human interaction.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time.
When a vicious drug gang discovers they've been infiltrated by an undercover cop, they move in. This act of terror will be their undoing for they unleashed a terrible evil.
Monkey King, Pig and Friar Sand must rescue his master Buddhist monk from seven witches / spiders who believe themselves to be immortal if they eat the monk's flesh.
