Beginning in 1965 with Black Is, Tambellini launched a series of politically charged experimental films that explore the expressive possibilities of black as a dominant color and idea. For the most part Tambellini’s seven “black films” are made without the use of a camera but rather by carefully manipulating the film itself by scorching, scratching, painting and treating the film stock as a type of sculptural and painterly medium.
Summer fun is on the run when a group of counselors return to open the long-abandoned Camp Eaglewalk, only to unleash the fury of a vengeful Sasquatch whose sacred totem pole was desecrated a decade before.
A short film produced by, and staring, two high school students in Paris. Focusing on a couple of young lovers and their fear of not being accepted because they're gay, they try to only appear as friends in front of one of the boys father.
Documentary short film depicting the work of the United Service Organizations (USO) in providing recreational and morale-boosting services for American troops.
A jumbled timeline of the moments in which Billy, a 17 year-old boy in a seemingly perfect relationship, grapples with his feelings towards an older male tattoo artist.
Popular movie trailers from 1967
These some of the most viewed trailers for movies released in 1967:
A wild, freewheeling spoof on motorcycle gangs in which tough-looking cyclists, who roam the highways on invisible bikes leaving visible tire tracks, pick up a girl hitchhiker encounter another gang.
A jewel thief crosses paths with a woman carrying a briefcase that the Americans, the Russians and the Chinese all want desperately, so he goes on the run with her figuring that what's inside the case has to be way more valuable than anything he could steal on his own.
Priest is sympathetic and understanding toward mod-era young folks and their new world-view... but he gets in trouble with a biker gang and with a young woman who crushes unhealthily on him.
In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion.
Comments
Have you watched Black '67 yet? What did you think about it?
