Clint Harrison is a gunfighter who has been on the run from a vengeful family for years. He returns to his home town to discover that his wife has taken his son and fled north to escape his unsavory reputations. Following her in an attempt to make amends, he rides into the middle of a land-grab war between a group of desperate farmers and an unscrupulous rancher named Shannon and his brutal foreman. Promising his wife that he won't use this gun, Clint must stand by as Shannon's men eliminate the farmer's in a series of well-staged set pieces calculated to make the audience anticipate the inevitable moment when Clint is forced to turn his guns and settle accounts.
Young adventurer Gipo owns one fifth of a rock illustrating the location of a rich gold mine. Risking his life more than once and with the help of the beautiful hooker, Lulu Belle, our hero sets out to recover the missing pieces.
Lucky Luke becomes the Sheriff of Daisy Town and runs out all the criminals. Then the Dalton brothers arrive and try to get the Indians to break the peace treaty and attack the town.
In a disputed border town, the US Army waits for word from Washington as to the rightful country it belongs, while dealing with a rowdy pack of Mexican soldier/bandits.
By his dying father's last wish Joe is sent to the Wild West to become a real guy. The dreamy young man despises guns and fights likes poems and prefers bicycles to horses.
Half-breed Keoma returns to his border hometown after service in the Civil War and finds it under the control of Caldwell, an ex-Confederate raider, and his vicious gang of thugs.
"Desire Caught by the Tail" - Described as surrealistic, absurd, and weird. The narrative is nonlinear and the meaning nearly impossible to decipher, the work has been praised despite, and sometimes for, its lack of message.
A wild, freewheeling spoof on motorcycle gangs in which tough-looking cyclists, who roam the highways on invisible bikes leaving visible tire tracks, pick up a girl hitchhiker encounter another gang.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.
