After the title, a white screen gives way to a series of frames suggestive of abstract art, usually with one or two colors dominating and rapid change in the images. Two figures emerge from this jungle of color: the first, a shirtless man, appears twice, coming into focus, then disappearing behind the bursts and patterns of color, then reappearing; the second figure appears later, in the right foreground. This figure suggests someone older, someone of substance. The myth? Preserved by the Academy Film Archive in 2012.
A reclusive ogre lives alone in a large garden where he spends his days eating and gardening. One day, he meets a tiny woman who has fallen from the back of a swallow.
One of several short films. Claymation that follows the misadventures of a mad anthropomorphic frog chef, often facing mishaps and disaster in his kitchen.
Two characters finding hope and coming together in the bleakest of moments. One marooned on a desolate planet and the other crash landing on the same planet.
The boy Mowgli makes his way to the man-village with Bagheera, the wise panther. Along the way he meets jazzy King Louie, the hypnotic snake Kaa and the lovable, happy-go-lucky bear Baloo, who teaches Mowgli "The Bare Necessities" of life and the true meaning of friendship.
American Mark Jason is stranded in Southeast Asia and works there as a teacher. One day, he finds diamonds worth several million dollars in his apartment.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.
In order to put an end to the numerous ambushes on the gold transports which are a real menace to the finances of the American government, the agent Joe Ford, called Dynamite Joe due to his liking for explosives, is entrusted with controlling the next transfer.
