20 December 1967 Drama, Crime 109 mins
On the run from the police, a female thief and her band of robbers take refuge on a desert island where they discover a mansion inhabited by a family whom they take hostage. One of the robbers falls for the couple's daughter.
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Martine Carol as Martine Grant
Anthony Steel as Major Morton
James Robertson Justice as Angus McGee
Shirley Anne Field as Shirley McGee
Isa Miranda as Isa Grant
Carl Möhner as Carl Schultz
Robert Rietti as Robert Grant
Jess Conrad as Jess Shepherd
Anthony Dawson as Paul Grant
Catherine Schell as Catherine Grant
Irene von Meyendorff as Helen McGee
Patricia Viterbo as Patricia
Anna Gaël as Anna
Eugene Deckers as Counsel
Sheila Burrell as Judge
Raymond Francis as Defence Counsel
L'enfer est vide Trailer
Laissez-passer pour l'enfer Trailer
Pas d'issue Trailer
United Kingdom 20 December 1967
These some of the most viewed trailers for movies released in 1967:
17 April 1967
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.
01 February 1967
A man encounters all sorts of strange places and people when he goes out for cigarettes.
19 May 1967
... with real-life portraits of Jayne Mansfield, Frak O'Hara, Ruth Ford, Ned Rorem, Virgil Thomson, Claes Oldenburg, Roy Lichtenstein, William Burroughs, Andy Warhol, Rudy Gernreich, Jonas Mekas and others.
28 July 1967
Secret Agent Francis Coplan, is given the task of finding priceless artwork stolen by the Nazis' in 1943.
15 February 1967
In order to put an end to the numerous ambushes on the gold transports which are a real menace to the finances of the American government, the agent Joe Ford, called Dynamite Joe due to his liking for explosives, is entrusted with controlling the next transfer.
03 August 1967
A group of English technicians who settled in Santiago del Estero to build a bridge for the railroad got in touch with local women.
25 April 1967
Documentary about young pop and rock musicians producing music as "a symptom and generator" of social unrest and generation gaps.
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