Morrissey and Warhol's commercial take on the Swedish film I, A Woman. Somebody suggested to Warhol that they wanted a sexploitation film in the vein of I, A Woman, and so he and Morrissey concocted I, A Man. They created the story of this male hustler who talks with and sleeps with a series of women over the course of the film. The women are: a young woman who worries about parental acceptance of her sexuality, a woman who is on a couch, a woman with whom he does a seance, a woman who speaks French, a lesbian, and a married woman.
When the videotape of the murder of a congressman unknowingly ends up in the hands of labor lawyer and dedicated family man Robert Clayton Dean, he is framed for the murder.
A couple and their children move into a seemingly normal suburban home. When strange events occur, they begin to believe there is something else in the house with them.
Sy Parrish has lovingly developed photographs for the Yorkin family since their son was a baby. But as the Yorkins' lives become fuller, Sy's only seems lonelier, until he eventually convinces himself he's part of their family.
A young, once-great Hollywood film director refuses to accept changing times during the early 1930s, and confines himself to his decaying mansion to make silent porn flicks.
After carrying out a flawlessly planned hit, Jef Costello, a contract killer with samurai instincts, finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him.
The Fiend with the Electronic Brain was a re-release of Al Adamson's Psycho A Go-Go featuring new footage starring John Carradine that re-imagined the original film's story with a sci-fi plot.
In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow, and together they start a violent crime spree throughout the country, stealing cars and robbing banks.
