A visit to the "Indians of Canada" pavilion at Expo 67, Montréal. Inside there are Indigenous artifacts, but even more arresting are the printed placards that tell the story of the Indigenous peoples in North America, written without rancor but recalling what their contact with European settlers has cost in freedom of movement, in loss of land, and in loss of health of body and spirit.
In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls.
In late 2021, Cleveland’s baseball team was reborn as the Guardians. This documentary, directed by Lance Edmands, chronicles the saga of that name change, which has its roots in a forgotten legend named Louis Sockalexis, and the tragedy that enveloped his story more than a century ago.
After marrying a settler, Mary Two-Axe Earley lost her legal status as a First Nations woman. Dedicating her life to activism, she campaigned to have First Nations women's rights restored and coordinated a movement that continues to this day.
When the Nuxalk trace their vanished ooligan alongside a land claim filed the day smallpox arrived, their radio station becomes courtroom, confessional and conjuring ground, where an older law insists: the fish and the people return together or not at all.
An intimate exploration of the circumstances surrounding the incarceration of Native American activist Leonard Peltier, convicted of murder in 1977, with commentary from those involved, including Peltier himself.
Behind the iconic Eiffel Tower lies the story of an incredible challenge to erect a thousand-foot tower that went far beyond a design competition, and marked a major turning point in engineering history.
A look into the 19th century American-Indian Wars, Manifest Destiny, and the conflicts between Apache tribes and the African-American Buffalo soldier regiments.
Uses first-person accounts from Missourians who went to the Fair in 1904, interviews with historians, archival motion pictures, and photographs to situate the St.
A wild, freewheeling spoof on motorcycle gangs in which tough-looking cyclists, who roam the highways on invisible bikes leaving visible tire tracks, pick up a girl hitchhiker encounter another gang.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.
