Both a “short story”—a film about a girl who rejects “reality” to live in her own private world—and a film about progressive states of mind. Joan goes to a two-room apartment, removes wigs, false eyelashes, makeup; depressed at her own appearance, she lies on the bed and over-eats. The soundtrack (“It’s my party and I’ll cry if I want to…”) adds irony to her “orgy.” But it is her isolation from human contact, and her entrance into a self-indulgent fantasy world that are central “themes” of the film.
A little girl listens to a violinist playing on the bank of a river. The little girl wants to learn to play the instrument and asks the musician to teach her.
Stranded on a desolate road, a man ventures into the unforgiving desert in search of help. As the scorching heat and relentless thirst take their toll, he begins to see mirages that blur the line between illusion and reality.
Monkey King, Pig and Friar Sand must rescue his master Buddhist monk from seven witches / spiders who believe themselves to be immortal if they eat the monk's flesh.
