Ghost-faced To is murdered in a mortuary after paying a visit to Muk Lan-fa. A set of teeth is found missing from another dead body. Lan-fa’s sister Sau-chen follows the leads on a business card To left behind to a dental clinic which suddenly bursts into flame. The news of her sister’s abduction by the infamous Japanese criminal Katsu Saburo soon reaches Lan-fa. Working together with her police friend Ko Cheung to crack the case, Lan-fa analyses photo evidences in minute detail. The duo order the retrieval of a pole that has survived the explosion intact while lying in wait at the clinic. Sau-chen, who has escaped, saves the duo from the chiller where they are detained. Inspector Yeung retrieves the operation plan concealed in the pole and the secret codes in the set of teeth, but the spook is shot dead by Katsu before he could reach the Hell’s Gate and the treasure buried there. Constable Kwan, and others and wipes out the gang at the Hell’s Gate.
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.
During China's Warring States period, a district prefect arrives at the palace of Qin Shi Huang, claiming to have killed the three assassins who had made an attempt on the king's life three years ago.
Two warriors in pursuit of a stolen sword and a notorious fugitive are led to an impetuous, physically-skilled, teenage nobleman's daughter, who is at a crossroads in her life.
The Tseng family is one of the most noble and respected clans in a small village in Tibet. The patriarch of the Tseng family wants to marry off his daughter Ching Lan into the Kao clan.
A jewel thief crosses paths with a woman carrying a briefcase that the Americans, the Russians and the Chinese all want desperately, so he goes on the run with her figuring that what's inside the case has to be way more valuable than anything he could steal on his own.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.
