The film is a social drama, with its plot around university professor Dr. Kumar (Ashok Kumar), who lives with his wife Padma (Bhanumati), his drunkard son Jyoti (Raaj Kumar), outgoing daughter Chitra (Tanuja) and his friend's daughter Rekha (Mala Sinha). Dr. Kumar and his wife have a different outlook towards life, with him preferring books and philosophy, while his wife Padma prefers social gatherings and society clubs. Padma never considered Jyoti her son, who works as a mill designer, a profession she considers too poor to acknowledge. Chitra is encouraged by her mother to mingle freely in high society, much to the disappointment of her worried father.
Gopal intends to take over the entire region under Raja Saheb, by hook or by crook. Things go his way when Raja signs a power of attorney in his name, and then accidentally shoots and kills a young woman named Silky, Gopal persuades Raja to run and hide from the police.
The idea behind Ya Rab is to show how Islam has been used as a tool to propagate terrorism. The film focuses on issues where so called self proclaimed Maulanas (Islamic Preachers) misinterpret The Quran and its real meaning to breed terrorists and terrorist activity.
When Aurangzeb recruits his trusted soldier Udaybhan to control the Kondhana fort, Shivaji's military leader Tanhaji Malusare and his army of Maratha warriors set out to recapture the fortress.
An upright ex-army man, Jai fights a solitary war against corruption and injustice. With a simple mantra to pay forward, he starts off by helping one person and forms an ever growing circle of people helping each other.
A newly-wed man discovers that his wife is in love with another man and decides to unite them. Ignoring the ridicule he might have to face for this, he takes his wife to Italy in search of her love.
An atheist archaeologist turned believer must race against time to prove the true existence of the legendary Ram Setu before evil forces destroy the pillar of India’s heritage.
Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings.
Alternative movies trailers for Nai Roshni
More movie trailers, teasers, and clips from Nai Roshni:
Nai Roshni (1967) - Classical Hit Movie
Nai Roshni Classical Hit Movie Movie " Nai Roshni" A Family Drama of 1967 Starcast:Ashok Kumar Mala Sinha Raaj Kumar Biswajeet Pahadi Sanyal Sailesh ...
Nai Roshni Ha Hindi Movie || Ashok Kumar Mala Sinha || Full Action And Drama Movie
Movie " Nai Roshni" A Family Drama of 1967 Starcast:Ashok Kumar Mala Sinha Raaj Kumar Biswajeet Pahadi Sanyal Sailesh Kumar Asit Sen Anwar ...
Nai Roshni Ha Hindi Movie || Full Action And Drama Movie || FEAT. Ashok Kumar Mala Sinha.
Professor Kumar lives a wealthy life with his wife a son Jyoti and two daughters Rekha and Chitra. His son is addicted to alcohol and stays away from home ...
Popular movie trailers from 1967
These some of the most viewed trailers for movies released in 1967:
A jewel thief crosses paths with a woman carrying a briefcase that the Americans, the Russians and the Chinese all want desperately, so he goes on the run with her figuring that what's inside the case has to be way more valuable than anything he could steal on his own.
Featuring Joan Adler (who also appears in Chinese Checkers), Soliloquy is one of the four early Stephen Dwoskin films that were awarded the Solvey prize at the EXPRMNTL festival in Knokke, Belgium in 1967.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.
In order to put an end to the numerous ambushes on the gold transports which are a real menace to the finances of the American government, the agent Joe Ford, called Dynamite Joe due to his liking for explosives, is entrusted with controlling the next transfer.
The Hostage is a 1967 Crown International low-budget motion picture starring Don O'Kelly, James Almanzar and Joanne Brown, with Leland Brown, John Carradine, and Harry Dean Stanton.
