A late-autumn seasonal sequence documenting camp building, fishing, tool-making, and preparation for winter as a Netsilingmiut family travels downriver toward the coast.
In the early 1960s the Canadian government conducted an experiment in social engineering. Three young Inuit boys were separated from their families in the Arctic and were sent to Ottawa, the nation's capital, to live with white families and to be educated in white schools.
Renowned Inuit lawyer Aaju Peter has long fought for the rights of her people. When her son suddenly dies, Aaju embarks on a journey to reclaim her language and culture after a lifetime of whitewashing and forced assimilation.
As the global pandemic reaches into the Arctic Archipelago, Inuk filmmaker Carol Kunnuk documents how unfamiliar new protocols affect her family and community.
The world knows the image of the good Canadian. But what if there was a dark secret behind a national identity? THE GOOD CANADIAN exposes the truth behind the idea of a True North strong and free.
A portrait of Ulayok Kaviok, one of the last of a generation of Inuit, born and bred on the land. Ulayok and her family, like many Inuit today, strive to balance 2 very different worlds.
With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices.
For centuries, Inuit in the Arctic have lived on and around the frozen ocean. Now, as climate change is rapidly melting the sea ice between Canada and Greenland, the outside world sees unprecedented opportunity.
Every winter for decades, the Northwest Territories, in the Canadian Far North, changes its face. While the landscape is covered with snow and lakes of a thick layer of ice, blocking land transport, ice roads are converted to frozen expanses as far as the eye can see.
Popular movie trailers from 1967
These some of the most viewed trailers for movies released in 1967:
Property company chairman Hu Zian was attracted to his secretary Sun Yuxia's beauty and competence. One day after dinner when Hu was escorting Sun home, he received from a child on the street a box containing a mirror and two silver coins engraved with dragons.
In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion.