"Each film was constructed using Knowlton's BEFLIX computer language, which was based on FORTRAN. The films were programmed on a IBM 7094 computer. The films were created in black and white, with color added later by Brown and Olvey." --AT&T Archives and History Center
Watch the official Poem Field Series 1967 trailer in HD below or find more Poem Field Series videos on Vidimovie.
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United States 01 January 1971
These some of the most viewed trailers for movies released in 1967:
22 December 1967
A worker steals bits and pieces of building materials from work to construct a new home for himself and his girlfriend.
18 October 1967
The boy Mowgli makes his way to the man-village with Bagheera, the wise panther. Along the way he meets jazzy King Louie, the hypnotic snake Kaa and the lovable, happy-go-lucky bear Baloo, who teaches Mowgli "The Bare Necessities" of life and the true meaning of friendship.
01 January 1967
Blackmail and fraud in the milieu of a fashion house serve as a hook for partner-swapping and sex games.
04 August 1967
Short-lived superhero-adventure series. One sequel.
27 December 1967
Featuring Joan Adler (who also appears in Chinese Checkers), Soliloquy is one of the four early Stephen Dwoskin films that were awarded the Solvey prize at the EXPRMNTL festival in Knokke, Belgium in 1967.
14 June 1967
Germany in the 18th century. Two brothers rebel against the narrow confines of the small state and feudal despotism.
01 February 1967
Deals with revolution in Québec, shown through satire and involving an invasion by neighboring Labradorians.
17 April 1967
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.
31 December 1967
A wild, freewheeling spoof on motorcycle gangs in which tough-looking cyclists, who roam the highways on invisible bikes leaving visible tire tracks, pick up a girl hitchhiker encounter another gang.
02 March 1967
In the vast army of human society, Pepe, a sweeper, occupies one of the last places: anonymous, gray, vague.
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