LEADER and SCRATCH are extensions of Huot's early interest in minimalism. They are successful in reducing the number of filmic variables so completely that essential qualities and potentials of the materials of film can be felt. While SCRATCH is nothing more than eleven minutes of dark leader with a continuous handmade scratch, the resulting imagery varies a good deal, depending on how deeply Huot dug into the emulsion: when the scratch is shallow, for example, it seems to bead and move up through the image; when the scratch is deep, it seems to remain within the frame, vibrating horizontally.
"Desire Caught by the Tail" - Described as surrealistic, absurd, and weird. The narrative is nonlinear and the meaning nearly impossible to decipher, the work has been praised despite, and sometimes for, its lack of message.
The Hostage is a 1967 Crown International low-budget motion picture starring Don O'Kelly, James Almanzar and Joanne Brown, with Leland Brown, John Carradine, and Harry Dean Stanton.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.
In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion.
