After a migrating duck family alights on their pond with thrilling tales of far-flung places, the Mallard family embarks on a family road trip, from New England, to New York City, to tropical Jamaica.
Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways.
With his nephews and niece, everyone's favorite rich uncle, Scrooge McDuck, treks from his mansion home in Duckburg in search of the long-lost loot of the thief Collie Baba.
Mickey is performing routine maintenance on his tugboat (with interference from a pelican) when a call comes on the radio that there's a sinking ship needing assistance.
For Donald's birthday he receives a box with three gifts inside. The gifts, a movie projector, a pop-up book, and a pinata, each take Donald on wild adventures through Mexico and South America.
Donald's playing lumberjack, but the targeted tree just happens to be the home of Chip 'n Dale. They give Donald plenty of trouble cutting down the tree, but eventually he succeeds.
The countryside isn't always as calm and peaceful as it's made out to be, and the animals on this farm are particularly agitated: a fox who mothers a family of chicks, a rabbit who plays the stork, and a duck who wants to be Santa Claus.
Mickey, Minnie, Goofy, Donald and Daisy are trick-or-treating when Donald spies the spookiest mansion he’s ever seen and assumes it has the best treats.
Elmer, a sensitive duckling whose schoolmates tease him. However, after his unusual talents help him save a life, the other members of the flock learn to respect him as he is.
Alternative movies trailers for Scrooge McDuck and Money
More movie trailers, teasers, and clips from Scrooge McDuck and Money:
1967 Scrooge McDuck and Money
Donald Duck.
Popular movie trailers from 1967
These some of the most viewed trailers for movies released in 1967:
"Desire Caught by the Tail" - Described as surrealistic, absurd, and weird. The narrative is nonlinear and the meaning nearly impossible to decipher, the work has been praised despite, and sometimes for, its lack of message.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.