"The film systematically shows man destroying man. It is about war and inhumanity. Largely assembled from newsclips and elaborate montage of still photographs. While working on the film, I came to realize that the strongest thing about violence and the most abstract thing about violence is its sequential nature, that war has never stopped, and that it is just the leading of one conflict into another conflict. I could keep this film going forever...." —Charles Gagnon
More movie trailers, teasers, and clips from The Eighth Day:
The Eighth Day - Long Winter nights (1967)
Group of Ohio The Son of Liberty moved to New York where they auditioned for one of the clubs. By adding the two singers Melanie Ross and Nancy Petite ...
The Eighth Day Part 1
In this 3-Part message Pastor Tim Sims teaches on the subject of the last day of The Festival of Sukkot its relevance to the Yeshua's return as mentioned in ...
Popular movie trailers from 1967
These some of the most viewed trailers for movies released in 1967:
"Desire Caught by the Tail" - Described as surrealistic, absurd, and weird. The narrative is nonlinear and the meaning nearly impossible to decipher, the work has been praised despite, and sometimes for, its lack of message.
In order to put an end to the numerous ambushes on the gold transports which are a real menace to the finances of the American government, the agent Joe Ford, called Dynamite Joe due to his liking for explosives, is entrusted with controlling the next transfer.
The Fiend with the Electronic Brain was a re-release of Al Adamson's Psycho A Go-Go featuring new footage starring John Carradine that re-imagined the original film's story with a sci-fi plot.
... with real-life portraits of Jayne Mansfield, Frak O'Hara, Ruth Ford, Ned Rorem, Virgil Thomson, Claes Oldenburg, Roy Lichtenstein, William Burroughs, Andy Warhol, Rudy Gernreich, Jonas Mekas and others.
American Mark Jason is stranded in Southeast Asia and works there as a teacher. One day, he finds diamonds worth several million dollars in his apartment.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.
