The film reflects Dewdney's conviction that the projector, not the camera, is the filmmaker's true medium. The form and content of the film are shown to derive directly from the mechanical operation of the projector - specifically the maltese cross movement's animation of the disk and the cross illustrates graphically (pun intended) the projector's essential parts and movements. It also alludes to a dialectic of continuous-discontinuous movements that pervades the apparatus, from its central mechanical operation to the spectator's perception of the film's images... (His) soundtrack demonstrates that what we hear is also built out of continuous-discontinuous 'sub-sets.' Preserved by the Academy Film Archive in 2009.
Children Without is a 1964 American short documentary film directed by Charles Guggenheim, about a young girl and her brother growing up in the housing projects of Detroit.
Commissioned by the U.S. Office of War Information, this short film features conductor Arturo Toscanini leading the NBC Symphony Orchestra, tenor Jan Peerce, and the Westminster Choir in Verdi’s Inno delle nazioni.
Documenting the maiden voyage of the SS Hope, a hospital ship operated by Project HOPE, where it brought medical care to Indonesia and South Vietnam in 1960-1961.
Goodnight Miss Ann is a 1978 American short documentary film directed by August Cinquegrana. It was nominated for an Academy Award for Best Documentary Short.
A jewel thief crosses paths with a woman carrying a briefcase that the Americans, the Russians and the Chinese all want desperately, so he goes on the run with her figuring that what's inside the case has to be way more valuable than anything he could steal on his own.
