The Painter and the Engines (1967) follows painter David Shepherd’s race against time to record on canvas the magic and romance of steam during the locomotives’ last weeks at South London’s Nine Elms sheds.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.
American Mark Jason is stranded in Southeast Asia and works there as a teacher. One day, he finds diamonds worth several million dollars in his apartment.
The Hostage is a 1967 Crown International low-budget motion picture starring Don O'Kelly, James Almanzar and Joanne Brown, with Leland Brown, John Carradine, and Harry Dean Stanton.