A Japanese fine art teacher helps a Korean independence fighter to escape from a threat of being arrested by the Japanese police. The Korean man introduces him a gisaeng (Koran geisha) who learned Korean traditional court dance and he falls in love with her. However she hates Japanese because her parents were killed in the war.
1930s Korea, in the period of Japanese occupation, a new girl, Sook-hee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki.
During the Japanese colonial era, roughly 400 Korean people, who were forced onto Battleship Island 'Hashima Island' to mine for coal, attempt to escape.
In 1909, several years after Korea is forced into becoming a Japanese colony, freedom fighters plot the daring assassination of Japan's prime minister during their quest for independence.
Pil-ju, an Alzheimer's patient in his 80s, who lost all his family during the Japanese colonial era, and devotes his lifelong revenge before his memories disappear, and a young man in his 20s who helps him.
Based on the life of the Korean anarchist Park Yeol, the film shows his struggle to counter the massacre of Koreans by the government during the 1923 great Kanto earthquake, focusing on his activities as the leader of the anti-Japanese organization Bulryeongsa and his relationship with Japanese comrade Fumiko Kaneko.
An Jung-geun fights for Korea's independence from the Japanese Empire and sparks a movement. In 1909, he assassinates Itō Hirobumi, the first prime minister of Japan and resident-general of Korea.
Property company chairman Hu Zian was attracted to his secretary Sun Yuxia's beauty and competence. One day after dinner when Hu was escorting Sun home, he received from a child on the street a box containing a mirror and two silver coins engraved with dragons.
... with real-life portraits of Jayne Mansfield, Frak O'Hara, Ruth Ford, Ned Rorem, Virgil Thomson, Claes Oldenburg, Roy Lichtenstein, William Burroughs, Andy Warhol, Rudy Gernreich, Jonas Mekas and others.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.