Georg Maltus wants to make a career as an editor in Munich, but has to make do with a job as publicity manager for pop singer Kim Calder. Kim lives on the outskirts of the city in a wooden house with bum types who are involved in his "Wilder Reiter GmbH". Georg arranges wild gigs for the boss, arranges a rescue operation for a nun who has run away from the convent and a fake kidnapping of Kim, who ends up in hospital. When Kim sells herself to an American producer, Georg escapes the hustle and bustle.
When dishwasher Ingo, whose girl-friend has just left him, returns a borrowed bar stool to the Folkwang Acting School in Essen, he stumbles into the audition for next year's new students.
During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September.
Because her husband, crime novel author Bert, prefers to spend the evenings with milieu and girl studies in the pubs, Conny files for divorce and moves with the two children from Berlin to Munich.
When you're as pretty as Iris, choose an analysis of the love market as your doctoral thesis and also want to gain practical experience, you have to expect to get involved in delicate and not always entirely safe, but at least amusing situations.
The Hostage is a 1967 Crown International low-budget motion picture starring Don O'Kelly, James Almanzar and Joanne Brown, with Leland Brown, John Carradine, and Harry Dean Stanton.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument.
