Color UCLA Student Film, Preserved by the UCLA Film and Television Archive. An Animation Workshop film that visualizes the beat poet Lawrence Ferlinghetti's poem "The World is a Beautiful Place" by melding collage and cel animation. Repurposing images from popular magazines, Frew juxtaposes photographs of the Holocaust genocide with the hyper-pop images of American culture, contextualized by the rising anti-Vietnam War and Student Protest movements of the late 1960s.
In a Canadian mountain resort, Vixen Palmer resides with her naive pilot husband Tom. While he's away flying in tourists, she sleeps with practically everybody including a husband and his wife, and even her biker brother.
Humanity finds a mysterious object buried beneath the lunar surface and sets off to find its origins with the help of HAL 9000, the world's most advanced super computer.
Forced behind British lines by engine problems, the Red Baron camouflages his plane, swaps uniforms with a dead soldier, and, posing as a Belgian, makes his way to a hospital.
Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
