This uneven and uninspired documentary of Africa is a collection from various stock footage. Female dancers in mod clothes dance on the Eiffel Tower in comparison to the primitive dances of native Africans. A lone runner trains for a marathon, and a few animals are shown in their natural habitat. Commentary and modern jazz and pop music help to make this seem much longer than 66 minutes.
Filmmaker Christopher Quinn observes the ordeal of three Sudanese refugees -- Jon Bul Dau, Daniel Abul Pach and Panther Bior -- as they try to come to terms with the horrors they experienced in their homeland, while adjusting to their new lives in the United States.
Fela Anikulapo Kuti created the musical movement Afrobeat and used it as a political forum to oppose the Nigerian dictatorship and advocate for the rights of oppressed people.
After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence.
Wingsuit BASE jumping is often presented as a thrill seeking adrenaline rush. Spellbound takes us deeper into the more contemplative aspects of jumping, as David Walden and friends venture into the mountains around his home in New Zealand.
Edeltraut Hertel - a midwife caught between two worlds. She has been working as a midwife in a small village near Chemnitz for almost 20 years, supporting expectant mothers before, during and after the birth of their offspring.
An intimate view of the panorama of African wildlife, giving a sense of what it is really like to be there, and in a dramatic climax makes a poignant plea for conservation.
Through dramatization and interviews with her colleagues, this film captures the life and work of famed Puerto Rican poet Mercedes Negrón Muñoz (also known as Clara Lair).
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
Anthony Steffen, as a young gunman who works as a circus performer, witnesses the killing of some outlaws, carried out by their leader and is credited with the deed.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
