An early short film by Penelope Spheeris about a boy enjoying the age-old pleasures of making a wish on a dandelion. Preserved by the Academy Film Archive in 2016.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing.
While filing for a divorce, beautiful ex-stripper Roslyn Taber ends up meeting aging cowboy-turned-gambler Gay Langland and former World War II aviator Guido Racanelli.
One of the world's most acclaimed comedies, M*A*S*H focuses on three Korean War Army surgeons brilliantly brought to life by Donald Sutherland, Tom Skerritt and Elliott Gould.
An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.
Jury foreman Edward Weldon's questioning leads to the death sentence for Ethel Saxon. His daughter Stella claims to have killed her lover, the gangster Garboni, just as Saxon was to sit in the electric chair.
Thomas Becket, Henry II's longtime advisor, finds his friendship with the debauched king corroding when he is unwillingly appointed as Archbishop of Canterbury in an attempt to gain absolute loyalty from the Church.
Proposed by the President of the United States to fill the post of Secretary of State, Robert Leffingwell appears before a Senate committee, chaired by the idealistic Senator Brig Anderson, which must decide whether he is the right person for the job.
Anthony Steffen, as a young gunman who works as a circus performer, witnesses the killing of some outlaws, carried out by their leader and is credited with the deed.
A Southern soldier in the American Civil War is sent to reconnoiter the enemy positions and becomes trapped beneath a huge pile of rubble by Northern cannon fire.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.