In this rural revenge drama, Güney plays Seyyit Han, a poor man in love with a woman from his Anatolian village who returns his affection. Seyyit Han postpones their marriage so that he can make his fortune elsewhere and return to the village to claim his "bride of the earth." During his prolonged absence, a rich landowner begins to woo the lonely woman, and her brother, intent upon making this propitious wedding happen, spreads the rumor that Seyyit Han has died.
One day, Murat, a firefighter from Kadırga, goes to put out a fire at a mansion. Hilmi Pasha's daughter, Müjgân, sees Murat and falls in love with him.
Nuri, from the Selimoğulları family, kills Turgut, from the Kadiroğulları family. However, he is saved from prison thanks to his relatives who witnessed the crime.
With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.
Yusuf has come to Istanbul to find his father, whom he has never seen before. At a tavern, he gets into a fight with Balyoz Seyfullah's men, who have taken control of the area.
After living 45 years in Germany, the Turkish Hüseyin Yilmaz, seventy, announces to his family that he has bought a house in Turkey and they should return to make the necessary reforms.
The film is the story of girl Cveta who was abducted by the Ottoman bey and taken away in his harem. Bey is trying to embrace Islam, but its persistence, and its neighbors led beloved Spasa, and beloved local priest, assisted by diplomats of the great powers manage to free themselves.
The Three Kingdoms period begins as the walled fortress of Hsin Yang falls to invaders. Centered around this historical event, The Last Days of Hsin Yang follows the escape of the prince of Hsin Yang as he hides with a small family and escapes from the sacked and burning city.
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
