One of the highest achievements of the new wave of Kirghiz cinema, which emerged in the mid-1960s. This story of a boy building sandcastles on the shores of the Issyk-Kul Lake becomes a documentary parable on the tensions between an artist and society.
One Saturday morning, filmmaker Madison Thomas has a revelation: she’s just like her mother. As she thinks about a friend going through tough times, she feels the sudden urge to clean.
In this video, Noam Chomsky concentrates on the contemporary institutions and powers which have set limits on human progress and offers us some concrete ways of challenging them; in effect, he presents a vision of a future society.
In 2005 Beverly Charpentier declared an oath of allegiance to French writer Catherine Robbe-Grillet. In doing so she gave up her freedom for the rest of her life.
Documentarian Jon Boorstin follows architect Frank Gehry and his sister, Doreen Gehry Nelson, as they attempt a new method of teaching elementary school children in Los Angeles.
Three identical prints of a single 100 foot fixed-camera take are shown from beginning to end-roll light-flare, with a few feet of blackness preceding/bridging/following the rolls.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
Comments
Have you watched Castles in the Sand yet? What did you think about it?