John Waters' first sixteen-millimetre film, about a deranged nanny who kidnaps young girls and forces them to 'model themselves to death' in front of her boyfriend and their crazed friends. It was never shown commercially.
When a virtual home assistant speaker, Luna, picks up the strange noise Chester has heard in his house, he realizes that it may not be a symptom of dementia.
Basil Stitt, in the aftermath of an inexplicable incident, decides to sequester himself inside his apartment, setting the stage for a profound transformation.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her.
The disappearance of her sock at a local laundromat sends a fragile Rita over the edge. Hellbent on finding it, she searches deep and gets sucked into a washing machine, entering an otherworldly cycle from which she may never escape.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
Two young boys, play hooky from school in order to explore an ultramodern world's fair. They take in the many marvelous scientific and industrial exhibits, obtain literature, eat food, and generally run amok.
The Three Kingdoms period begins as the walled fortress of Hsin Yang falls to invaders. Centered around this historical event, The Last Days of Hsin Yang follows the escape of the prince of Hsin Yang as he hides with a small family and escapes from the sacked and burning city.
Comments
Have you watched Eat Your Makeup yet? What did you think about it?