Follow up to Maria Isabel. Newly wed to a rich man, Maria Isabel must still struggle with being branded as a lowly maid and endure the scorn of her adoptive daughter and the infidelity of her husband.
A TV film of the play by Edward Albee. Mild-mannered, complacent Peter is startled when an aggressive stranger, Jerry, starts haranguing him as he sits quietly on a park bench.
The leader of a youth movement is suspected of the murder of his best friend and supporter. A television broadcast intended to help find witnesses reveals the organisation's troubled interior life as well as a far more personal tragedy.
Agus leaves his wife and the three children. After many years, Agus wants to return but he has to apologise to his wife and children, namely Anwar, Dani and Aini.
Five criminals are arrested after a bank-robbery. One escapes, and the police officer in charge of transporting them arrests a new person at random to cover up for his negligence.
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.
Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes.
A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers.