A sheriff is killed by the leader of the local bad guys, and the father of the sheriff is not to pleased. The father, Mr. Piluk, is the local undertaker and also plays a mean violin when he is in a bad mood.
Lucky Luke becomes the Sheriff of Daisy Town and runs out all the criminals. Then the Dalton brothers arrive and try to get the Indians to break the peace treaty and attack the town.
The legendary Tomas Milian stars as Cuchillo, a knife-throwing thief on the run from murderous bandits, sadistic American agents, his hot-blooded fiancée and a sheriff turned bounty hunter, all of whom are gunning for a hidden fortune in gold that could finance the Mexican Revolution.
The two brothers Trinity and Bambino are exchanged by two federal agents and take advantage of the situation to steal a huge booty hidden in a monastery by a gang of outlaws.
Half-breed Keoma returns to his border hometown after service in the Civil War and finds it under the control of Caldwell, an ex-Confederate raider, and his vicious gang of thugs.
1907 Central America: Maria II is the daughter of an Irish terrorist. After her father's death, she meets Maria I, a performer, and decides to stay with the circus, and on her debut as a singer, unintentionally invents the striptease and makes the circus famous.
In a Canadian mountain resort, Vixen Palmer resides with her naive pilot husband Tom. While he's away flying in tourists, she sleeps with practically everybody including a husband and his wife, and even her biker brother.
The Three Kingdoms period begins as the walled fortress of Hsin Yang falls to invaders. Centered around this historical event, The Last Days of Hsin Yang follows the escape of the prince of Hsin Yang as he hides with a small family and escapes from the sacked and burning city.
Sam Moran is a Honolulu charter-boat captain who leads fishing expeditions in the tropical paradise. When his daughter is found murdered at the party of a wealthy young playboy, he seeks the truth about the murder.
Forced behind British lines by engine problems, the Red Baron camouflages his plane, swaps uniforms with a dead soldier, and, posing as a Belgian, makes his way to a hospital.
"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding.